Here is the history weve been waiting for ... erudite and entertaining ... she shows how pictures really did change our world. Her shrewd selection of over 600 fascinating photos (many in colour) illustrate a history that meets the ultimate test; open to any page and youre hooked ... and its free from tormenting academic jargon. Camera Arts This groundbreaking survey of international photography, which examines the discipline across the full range of its uses by both professionals and amateurs, has been expanded and brought up to date for this second edition. Each of the eight chapters takes a period of up to forty years and examines the medium through the lenses of art, science, social science, travel, war, fashion, the mass media and individual practitioners. These broad topics complement a fully developed cultural context whose emphasis is more on key ideas than individuals. The author also pays close attention to how contemporary practitioners, commentators and beholders have talked about specific works, the nature of photography and the photographers changing role in society.
This edition is a survey of international photography which examines the discipline across the full range of its uses by both professionals and amateurs. It incorporates research into the work of Roger Fenton, looks at the rise of the constructed narrative, and considers how modern society envisions itself in relation to war.
Photography Visionaries is an inspiring guide to 75 of the most influential photographers from c.1900 to the present. Entertainingly written by an expert on photography, it provides a fascinating insight into the lives and careers of men and women working in a medium which perhaps more than any other in the visual arts has been deeply affected by technological change. The entries are arranged chronologically, instilling in the reader an understanding of what marks each photographer as a visionary. Each entry is less about providing a full biography of the person and more about creating a sense of excitement regarding their work and the lasting impact that it has had on photography. With the aid of an arresting selection of photographs, some well-known and others less so, this book offers a unique and engaging perspective on the development of photography through some of its most inventive practitioners.
This compelling book chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond. Entertaining and intelligent, it provides a fascinating resource to dip into. Arranged in a broadly chronological order to show the development of photography, the ideas that comprise the book include innovative concepts, cultural and social incidents, technologies, and movements. Each idea is presented through lively text and arresting visuals, and explores when the idea first evolved and its subsequent impact on photography.
Photography and its Critics offers an original overview of nineteenth-century American and European writing about photography from such disparate fields as art theory, social reform, and physiology. In this study, Mary Warner Marien argues that photography was an important social and cultural symbol for modernity and change in several fields, such as art and social reform. Moreover, she demonstrates how photography quickly emerged as a pliant symbol for modernity and change, one that could as easily oppose progress as promote democracy.
A top-seller since it first published in 1955, Fleming's Arts and Ideas chronologically explores a breadth of humanities topics from antiquity to the present. New author Mary Warner Marien continues the text's tradition of combining outstanding scholarship with high quality art reproductions, while at the same time bringing a new contemporary voice to this classic text. Fleming's Arts and Ideas challenges students to see the links between common purposes, themes, and ideas in painting, sculpture, architecture, literature, music, and philosophy.
A top-seller since it first published in 1955, FLEMING'S ARTS and IDEAS chronologically explores a breadth of humanities topics from antiquity to the present. New author Mary Warner Marien continues the text's tradition of combining outstanding scholarship with high quality art reproductions, while at the same time bringing a new contemporary voice to this classic text. FLEMING'S ARTS and IDEAS challenges students to see the links between common purposes, themes, and ideas in painting, sculpture, architecture, literature, music, and philosophy.
Covering many of the core topics discussed in FLEMING'S ARTS and IDEAS, this booklet provides in-depth exercises utilizing the students' free subscription to the InfoTrac College Edition online library.
Contributor Martin Padget's essay: -Native Americans, the Photobook and the Southwest: Ansel Adams's and Mary Austin's "Taos Pueblo" was awarded the 2010 Arthur Miller Essay Prize. This book is an integrated collection of essays on the interface between literature and photography, as exemplified in important North American texts. The aspects of this increasingly debated topic treated here include: the evidential nature of the photographic image; evocations of photographs in poetry and fiction; ways in which photographs 'illustrate' literary works; the status and function of words in photographic anthologies; and the formal structure(s) of full-blown interactions of the verbal and the visual in works that constitute 'photo-texts'. Contributors to the volume probe ways of reading particular and often celebrated combinations of words and photographs as cultural documents of their time - and ours. Achieving a better understanding of their social context often illuminates important themes of American history, such as ethnic, regional, class or gender identification and difference."